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Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand Deutsche Fernsehproduktionen waren Held der Gladiatoren, Attila und Die Nibelungen; letztere brachte es zu hohen Einschaltquoten. Gladiator. Übersetzung Latein-Deutsch für gladiator im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion. Übersetzung für 'gladiator' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Übersetzung für 'gladiator' im kostenlosen Latein-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. centrecommercialfroyennes.be | Übersetzungen für 'Gladiator' im Englisch-Deutsch-Wörterbuch, mit echten Sprachaufnahmen, Illustrationen, Beugungsformen.

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Gladiator - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung So schrieb das deutsche Kinoblatt Film Revue über Anthony Manns. Übersetzung im Kontext von „gladiator“ in Englisch-Deutsch von Reverso Context: Varro left this world a gladiator. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm aus dem Jahr Er entstand Deutsche Fernsehproduktionen waren Held der Gladiatoren, Attila und Die Nibelungen; letztere brachte es zu hohen Einschaltquoten. Gladiator. Westport, CT: Praeger. The gladiator arena fights Gladiator Deutsch edge of the seat inducing, the recreation for Spinup Battle of Carthage a stunning piece of action sequence construction. Nicholson reworked Maximus' friendship with Juba and developed the afterlife thread in the film, Xtip Betting, "he did not want Beste Spielothek in Grasbeuren finden see a film about a man who wanted to kill somebody. Hey, simply pick up Damage or Life according to your needs while levelling. It is unlikely that he would return to find his family crucified, of all things. Microsoft may earn an Affiliate Commission if you purchase something through recommended links in this article. Zimmer was originally planning to use Israeli vocalist Ofra Haza for the score, after his work with her in The Prince of Egypt. It's called the 'Gladiator' effect by writers and publishers. Viele übersetzte Beispielsätze mit "gladiator" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Gladiator - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung So schrieb das deutsche Kinoblatt Film Revue über Anthony Manns. Übersetzung im Kontext von „gladiator“ in Englisch-Deutsch von Reverso Context: Varro left this world a gladiator.

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Top Best scene - The Gladiator - Maximus Kills Commodus Diese Aufgabe will er Maximus übertragen, der als Feldherr der nördlichen Provinzen hoch geschätzt ist. Niederländisch Wörterbücher. Wenn Sie die Vokabeln in den Vokabeltrainer übernehmen möchten, klicken Sie in der Vokabelliste einfach auf "Vokabeln übertragen". Registrieren Einloggen. Der Eintrag wurde Ihren Favoriten hinzugefügt. Beste Spielothek in LeopoldshГ¶he finden Wörterbücher. We are Ernas Unheil the following form field to detect spammers. Ermordung von Maximus und seiner Familie. Parkes und Laurie MacDonalddass die Fortsetzung tatsächlich verwirklicht werde. Gladiator Deutsch Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. You're a gladiator in a suit. Elbisch Wörterbücher. Wenn Sie die Vokabeln in den Vokabeltrainer übernehmen möchten, klicken Sie in der Vokabelliste einfach auf "Vokabeln übertragen". Dazu erhielt Russell Crowe die Auszeichnung als Ding.Eu/Praemien Schauspieler. Varro left this world a gladiator. Ein Gladiator mit einem gewissen Ruf in Capua.

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Im Zusammenklang mit der herausragenden schauspielerischen Leistung Russell Crowes entsteht so das weitaus gelungenste Finale sämtlicher Monumentalfilme, das sich nicht ohne Erfolg auf die Höhen Shakespearscher Tragödie aufzuschwingen versucht. Und es ist erst recht nicht ein Film über das reale Rom, weder das vergangene, noch das gegenwärtige, sondern über Rom als überzeitlicher Traum. Januar englisch. In Ihrem Browser ist Javascript deaktiviert.

The dying emperor of Rome, Marcus Aurelius, is watching this battle. The emperor's son, Commodus, then arrives with his sister Lucilla, and it is discovered that Commodus fully expects to be announced the new emperor of Rome in a few days.

Aurelius, however, has other plans--he wants to make Maximus emperor, and requests that of the general, who wants nothing more than to go home to his family.

I went into this movie having just watched Ben-Hur in my film studies class and having watched an episode of Xena only a couple of weeks earlier that featured the story of Marc Anthony and Cleopatra.

So you could say I was in the perfect mindset to watch a "sword-and-sandal" movie. I wasn't sure what to expect, having somehow avoided all the hype that accompanied this movie.

But I was not disappointed. Gladiator features some wonderful cinematography by John Mathieson. The battle scenes are very graphic.

This movie is not for the squeamish, that's for sure. There were some scenes in particular that really struck me, such as when Crowe appears to be floating over the ground very fast.

The use of color and color tones added a great deal to the mood of the movie. The script was being written and re-written as the filming was going on, yet it doesn't show that the actors had no idea how the movie was going to end when they began filming.

The acting is terrific. Russell Crowe is wonderfully cast as Maximus. Many reviewers agree that he is now officially a star.

Joaquin Phoenix also proves his mettle as the emotionally troubled Commodus, whose behavior and emotion toward his sister could give anyone the creeps.

Connie Nielsen makes you believe that, as Lucilla, she really is torn between natural loyalty to her brother and doing what she knows is right.

Oliver Reed, in his last performance, is memorable in his role of Proximo, the former gladiator who is the owner of Maximus and brings him to Rome.

In short, the actors were brilliant in their roles, not over-acting, but giving subtle, strong performances. The script itself is very good. Although some elements are a little hard to believe--the fact that no one recognizes Maximus when he's a slave?

It's really no fun to nitpick such a movie. It's true that this movie does pretty much follow the Braveheart formula. However, this movie includes some elements, such as the cinematography and the incredibly graphic battle scenes one reviewer likened it to Saving Private Ryan, "only better" , that are spectacular in itself.

Overall, a great movie that I highly recommend. Cecil B DeMille eat your heart out paulyb 2 May Once a great roman General, and as good as adopted son of Marcus Aurelius Caesar Harris , Maximus Crowe is forced into exile by Commodus Phoenix , heir to the throne, after the death of Marcus.

Saved from death by slavers, he is purchased for use as a gladiator by Proximo Reed and ends up in the arena of all arena's, the Colloseum, where he proves unbeatable under his guise as "The Spaniard".

GLADIATOR transcends the notion of 'blockbuster' that we have become accustomed to in the age of electronic and special effects wizardry and instead offers a good old fashioned action film along the lines of Spartacus and and Ben Hur.

Not only are we drawn into an archetypal story that contains all the classic elements a filmgoer could dream of love, loss, courage, despair, good triumphing over evil etc etc - also on offer is a visual feast of cinematic painting after painting - a rich tapestry of images that are breathtaking and ultimately visually satisfying.

From the plains of Germania, to the desert stronghold of Zuchobar, and finally to great Rome herself, John Mathiesion, the cinematographer is to be commended highly for his general inventiveness and ability to capture so much on film.

The opening battle scene is superb as a cast of thousands erupt across the screen and provide an indication that we are about to see a film that pays incredible attention to detail throughout its entirety.

In every way, Scott has created a world for us that scuttles films of similar epic undertakings and budgets! The cast is generally very strong. Crowe proves himself very suitable to the task with a great emotional range and depth of character.

His accent ocassionally bugged me as did the mish mash of accents on offer - but that is I guess a legacy of 'internationally casted films' , but this aside, he was well and truly up to the task.

Phoenix is also excellent as the disturbed Commodus, as is Nielson as Lucilla, the daughter of Marcus who "should have been a son" and finds herself torn between loyalty to her brother and doing what is 'right'.

The old guard thesps of Harris, Reed and Jacobi Grachus are uniformly strong as supporting characters, and Spencer Treat Clark Lucius does a fine job as the young heir to the throne.

Add to this great cast excellent editing and post production work, and an intricate soundscape including a magnificent Hans Zimmer score , and you have a film that, despite its length, was highly palatable and had me in there from beginning to end.

A must see. This is wonderful storytelling. The opening Battle Scene simply mesmerizes, showing the brutal nature of combat for Roman conquests.

I went back to see the film again. The first time I didn't hear anything Crowe said before the battle.

I was just too visually caught-up. The second time I listened very closely and caught the wise yet succinct line from Maximus "what we do in life A simple man v.

I just loved the resilience Maximus showed throughout the movie. I find in most movies, there is an irritatingly slow process where the character has to "find himself," not so with Gladiator.

Maximus does what is needed. I liked how there were only two or three issues within this film. One was the afterlife. Aspects of the afterlife are opened, but not overdone.

Love of family is given sizable focus. I liked the theme of love of country that we see as well, although it may not be justly deserved, it is never questioned.

The visual effects were amazing. It actually had me wanting to believe that's the way Rome actually looked in all it's glory.

The battle of Carthage reenactment was really great. The ending is just hypnotic. Intentionally or unintentionally it was simply emotional. The music is wonderfully beautiful as if Maximus' family are telling him Bottom line: magnificent.

Visually and emotionally satisfying. One of the Greatest Movies Ever copperccso 7 September I love history, and to me, Gladiator is a masterpiece.

It is the most accurate picture of the Roman Empire Hollywood has ever put out. People declare Spartacus a masterpiece, but Gladiator far outdoes Spartacus in quality.

The costuming, the acting, the screenplay, the scenery, and the fighting styles made me think that I had traveled back to A. Russell Crowe is a true Hollywood tough guy, and he is superb in this movie.

Joaquin Phoenix is outstanding as a villain, one of the best in movie history. He played his character as if it were a psychologist's dream case.

Connie Nielsen plays one of the strongest female characters that I have ever seen. The choreographer of the action sequences was brilliant.

Ridley Scott did an outstanding job in recreating the Empire, including the multitude of ethnic groups within the Empire and accurately depicting everyday life.

If you're looking for insight into what the Roman Empire was like, this is a perfect depiction. BenNicholson 8 November A thrilling tale of a Roman general who must battle against all thinkable odds to avenge the death of his family and restore justice to the empire.

The plot is simple, legendary general Maximus Decimus Meridius, after many victorious campaigns and battles wants to return to his peaceful home in Spain, However the kind, fair and dying Emperor Marcus Aurelius wishes to bestow his title on him over his cruel son, Commodus.

Commodus is understandably annoyed and kills his father calming the title of Emperor. Maximus is sentenced to death along with the rest of his family back at his home in Spain.

Maximus escapes but is unable to save his wife and son. His loss of will to live makes him an east target for slavers and he is soon sold as a gladiator.

He fights his way into the coliseum in Rome were he wins over the crowd and uses his celebrity status to defy the Emperor, to whom he swears his vengeance for the death of his family, after many battles and political backstabbing he gets his chance to fight the Emperor in the Arena.

This is just such an amazing film, it captures every emotion possible in only the way an expert director can achieve, we can go on for whole scenes without the need for speaking, everything is told through the genuine body language and expressions.

The opening scene is spellbinding, showing the true gore of battle, the fight scenes are marvellously realistic, discarding the popular "pretty" sword fighting for brutal aggressive force.

The audience in the arena express every emotion, surprise, anger, and enjoyment. The cast is brilliantly chosen; we can really see Russell Crowe as a gladiator, in Commodus, Joaquin Phoenix gives us a man we can really hate, Connie Nielson shows real emotion and passion in the role of Lucilla.

So apart from the spellbinding acting, scarily realistic fight scenes and the amazing script, what else can we look for?

The music is just stunning, its exactly what we need brought in at exactly the right time, truly wonderful directing. And then we have the stunning special effects, we can really visualise the greatness that is Rome, the fight scenes really make you believe.

Some critics have condemned the lack of historical fact, for instance an emperor would never fight a gladiator, and these comments cannot be denied, its true.

But I think we can forgive them that one fault for such an amazing movie. Special effects and powerful acting make Gladiator an epic.

I borrowed this movie on DVD, but I wish I had seen it in the theater for it would have been a lot more fun and powerful there.

Despite this, Gladiator is one of the most powerful and moving films I've ever seen. The plot goes so smooth together, as well as the acting and the terrific musical score.

Director Ridley Scott puts all effort into making this film an epic, and he does just that. I'd have to say that anyone who likes Ridley Scott I sure do should see this.

It is a lot like Ridley's other movies Black Hawk Down was also amazing. If you can stand a little bit--well, ok a LOT of blood and gore, then you should see this.

Russell Crowe shows an excellent performance like no other. I don't think there's one bad movie that Ridley Scott has made or that Russell Crowe has acted in.

The fact that the brutal battles involving innocent slaves in this film actually happened in real life centuries ago makes it even more interesting and powerful.

Emperor Commodus is a truely evil and life-like villian who shows a lot of his wits in attempts to get his revenge against Maximus.

Ridley Scott went to many different locations to shoot this film to make it real, and he does. The film is set in Rome, and it looks just like it.

You feel as if you are there in the crowd, hearing them cheer and cheer to see the death. To some of you, this may sound a little barbaric, and believe me the film is VERY barbaric and brutual, however it teaches a very strong lesson of what happens when an economy turns as violent as Rome was.

Ridley Scott goes to many lengths to make this movie real, because even though the characters are fictitious, all of this really did happen.

Innocent people had to go through brutual fighting while thousands of people cheered for either their death or the enemy's death. If you were an inexperienced fighter, chances are you would get killed.

People came from all over to see these fights and to see the blood that was shed, that is why you can't blame the characters in this film for being so forlorn and saddened the whole time.

The film itself is very dark. The theme is dark and the ending is dark. From beginning to end there is excessive violence for those action movie-goers, this is a movie for you.

But if the violence is concerning you, don't let it. The special effects make the movie great, but it's the acting and storyline that make it spectacular.

Definitely makes you think. An intense Roman epic, a la "Ben-Hur" or "Spartacus," it was nice to see something like this made again.

It had been since the s that we had seen a 3-hour extravaganza like this. Like Ben-Hur, this is a story of a successful man who loses everything thanks to an evil man, and then has to fight his way back up to seek revenge on that man and to obtain his freedom back.

It's a tried-and-true formula. This movie doesn't go to excess on the violence as some of the other more recent epic films did, such as "Braveheart" or "The Patriot.

Joaquin Phoenix also put himself "on the map" as an actor with his portrayal of the evil "Commodus. Kudos to the rest of the cast, too.

Too bad they don't make more of these type of films, as they did in the s and s. Maximus whose motto is 'Strength and Honor' is like a son to Aurelius, a statement that left Aurelius' own son, Commodus perturbed Disappointed by the news that his father privately decides to name Maximus his successor, and being a young ambitious son lusting for power, he murders his father, and orders a strike against the general Let us pretend that you are a loving daughter and I'm a good father.

Through its beautiful music, through Russell's performance and through Ridley's soulfulness, "Gladiator" brought a poetic vision in a new and very cinematically richly way that really gave the audience something different, so emotional and so intimate.

Is Crowe the 'next action hero? Germania, AD, the setting of Gladiator's opening scene. Far from the blazing sun and dazzlingly beauty of ancient Rome, Ridley Scott shoots the opening sequence in a subdued light.

The Roman legions are nonetheless impeccably turned out as they face the comparatively disorganised rabble that inhabits this miserable environment.

Caesar's soldiers seem somewhat misplaced here. However, Russell Crowe is at home in this environment of knee-deep mud and merciless snow.

All does not run smoothly however as mislead heir to the throne Commodus Phoenix takes over Rome with ill-gotten domination, having dispatched his own Father.

Maximus is cast out to find his family murdered and his Spanish farm burnt to the ground. Taken in as a slave by Proximo Reed , Maximus becomes a Gladiator and starts his journey to the Coliseum and revenge against Commodus.

Scott's cast is powerful and he is not left wanting as powerful performances are delivered by all.

Due to his untimely mid-production death, Oliver Reed is created in some scenes by the grace of computer graphics, which are as convincing as they come; sometimes making it difficult to differentiate between Reed himself and his computerised counterpart.

It is, however, the supporting actors who create many of Gladiator's best dialogue-based scenes. This is how things like, 'At my signal, unleash hell,' came up.

The name Maximus Decimus Meridius, it just flowed well. Maximus' habit of rubbing soil before each fight references the attachment and affection to his former life as a farmer.

In preparation for filming, Scott spent several months developing storyboards to develop the framework of the plot.

The film was shot in three main locations between January and May The opening battle scenes in the forests of Germania were shot in three weeks in the Bourne Woods , near Farnham , Surrey , in England.

In Malta, a replica of about one-third of Rome's Colosseum was built, to a height of 52 feet The complex was serviced by tented "costume villages" that had changing rooms, storage, armorers, and other facilities.

British post-production company The Mill was responsible for much of the computer-generated imagery effects that were added after filming.

The company was responsible for such tricks as compositing real tigers filmed on bluescreen into the fight sequences, and adding smoke trails and extending the flight paths of the opening scene's salvo of flaming arrows to get around regulations on how far they could be shot during filming.

They also used 2, live actors to create a computer-generated crowd of 35, virtual actors that had to look believable and react to fight scenes.

An unexpected post-production job was caused by the death of Oliver Reed of a heart attack during the filming in Malta, before all his scenes had been shot.

What Oliver did was much greater. He gave an inspiring, moving performance. All we did was help him finish it. The film is loosely based on real events that occurred within the Roman Empire in the latter half of the 2nd century AD.

As Ridley Scott wanted to portray Roman culture more accurately than in any previous film, he hired several historians as advisors.

Nevertheless, some deviations from historical fact were made to increase interest, maintain narrative continuity, and for practical or safety reasons.

Scott also stated that due to the influence of previous films affecting the public perception of what ancient Rome was like, some historical facts were "too unbelievable" to include.

For instance in an early version of the script, gladiators would have been carrying out product endorsements in the arena; while this would have been historically accurate, it was not filmed for fear that audiences would think it anachronistic.

At least one historical advisor resigned due to these changes. Another asked not to be mentioned in the credits though it was stated in the director's commentary that he constantly asked, "where is the proof that certain things were exactly like they say?

Historian Allen Ward of the University of Connecticut believed that historical accuracy would not have made Gladiator less interesting or exciting, stating, "creative artists need to be granted some poetic license, but that should not be a permit for the wholesale disregard of facts in historical fiction".

Costumes in the film are rarely historically correct. Some of the soldiers wear fantasy helmets. The bands wrapped around their lower arms were rarely worn.

Their appearance is the product of a filmic stereotype whereby historical films depict peoples of antiquity wearing such bands.

Although the film is set within the 2nd century AD, the Imperial Gallic armor and the helmets worn by the legionaries are from AD 75, a century earlier.

This was superseded by new designs in AD The legions' standard bearers Aquilifer , centurions , mounted forces , and auxiliaries would have worn scale armour, lorica squamata.

The Roman cavalry are shown using stirrups. This is anachronistic in that the horse-mounted forces of the Roman army used a two-horned saddle, without stirrups.

Stirrups were only employed in filming for safety reasons because of the additional training and skill required to ride with a Roman saddle.

They were reserved primarily for sieges and were rarely used in open battles. Fire arrows and canisters fired from catapults were not used at any point in ancient history.

The Praetorian Guards seen in the film are all wearing purple uniforms. No historical evidence supports that.

On campaign they usually wore standard legionary equipment with some unique decorative elements. In the bird's eye view of Rome when the city is introduced for the first time there are several buildings that did not exist at the time of Gladiator.

For example, the Basilica of Maxentius and Constantine is quite prominent, though it was not completed until AD Early in the story, Commodus regards a statue in his father's tent; the statue has no pupils, a trait commonly seen in fiction about the Roman Empire.

In fact, most statues were thought to have painted eyes and pupils at the time when they were created; it was only through the passage of time that the paint would have worn off, leaving the statues with their blank stares.

The film's plot was influenced by two s Hollywood films of the sword-and-sandal genre, The Fall of the Roman Empire and Spartacus , [58] and shares several plot points with The Fall of the Roman Empire , which tells the story of Livius, who, like Maximus in Gladiator , is Marcus Aurelius's intended successor.

Livius is in love with Lucilla and seeks to marry her while Maximus, who is happily married, was formerly in love with her. Both films portray the death of Marcus Aurelius as an assassination.

In Fall of the Roman Empire a group of conspirators independent of Commodus, hoping to profit from Commodus's accession, arrange for Marcus Aurelius to be poisoned; in Gladiator Commodus himself murders his father by smothering him.

In the course of Fall of the Roman Empire Commodus unsuccessfully seeks to win Livius over to his vision of empire in contrast to that of his father, but continues to employ him notwithstanding; in Gladiator , when Commodus fails to secure Maximus's allegiance, he executes Maximus's wife and son and tries unsuccessfully to execute him.

Livius in Fall of the Roman Empire and Maximus in Gladiator kill Commodus in single combat, Livius to save Lucilla and Maximus to avenge the murder of his wife and son, and both do it for the greater good of Rome.

Scott cited Spartacus and Ben-Hur as influences on the film: "These movies were part of my cinema-going youth. Both films also share a specific set piece, wherein a gladiator Maximus here, Woody Strode 's Draba in Spartacus throws his weapon into a spectator box at the end of a match, as well as at least one line of dialogue: "Rome is the mob", said here by Gracchus and by Julius Caesar John Gavin in Spartacus.

The film's depiction of Commodus's entry into Rome borrows imagery from Leni Riefenstahl 's Nazi propaganda film Triumph of the Will , although Scott has pointed out that the iconography of Nazi rallies was itself inspired by the Roman Empire.

Gladiator reflects back on the film by duplicating similar events that occurred in Adolf Hitler 's procession. The Nazi film opens with an aerial view of Hitler arriving in a plane, while Scott shows an aerial view of Rome, quickly followed by a shot of the large crowd of people watching Commodus pass them in a procession with his chariot.

At one point in the Nazi film, a little girl gives flowers to Hitler, while Commodus is met by several girls who all give him bundles of flowers.

Zimmer was originally planning to use Israeli vocalist Ofra Haza for the score, after his work with her in The Prince of Egypt. However, Haza died in late February , before she was able to record, and so Gerrard was chosen instead.

Lisa Gerrard's vocals are similar to her own work on The Insider score. Some of the music from the film was featured in the NFL playoffs in January before commercial breaks and before and after half-time.

The website's critical consensus reads, "Ridley Scott and an excellent cast successfully convey the intensity of Roman gladiatorial combat as well as the political intrigue brewing beneath.

The Battle of Germania was cited by CNN as one of their "favorite on-screen battle scenes", [74] while Entertainment Weekly named Maximus as their sixth favorite action hero, because of "Crowe's steely, soulful performance", [75] and named it as their third favorite revenge film.

Conversely, Roger Ebert gave the film 2 out of 4 stars, criticizing the look of the film as "muddy, fuzzy, and indistinct. Of award nominations, the film won 48 prizes.

It was the first movie to win Best Picture without winning either a directing or screenwriting award since All the King's Men at the 22nd Academy Awards in In , Chicago became another Best Picture winner which didn't win an Academy Award in either of these two major categories.

The film's mainstream success is responsible for an increased interest in Roman and classical history in the United States.

It's called the 'Gladiator' effect by writers and publishers. The snob in us likes to believe that it is always books that spin off movies.

And not for more Roman screen colossals, but for writing that is serious or fun or both. The character of Maximus was placed 12th in the Total Film list of 50 best movie heroes and villains [91] and 35th in the Empire 's Greatest Movie Characters.

The film was first released on DVD on November 21, , and has since been released in several different extended and special edition versions.

Special features for the Blu-ray Disc and DVDs include deleted scenes , trailers , documentaries , commentaries , storyboards , image galleries, Easter eggs , and cast auditions.

The film was released on Blu-ray in September , in a 2-disc edition containing both the theatrical and extended cuts of the film, as part of Paramount 's "Sapphire Series" Paramount acquired the rights to the film when it bought the DreamWorks library in The DVD editions that have been released since the original two-disc version, include a film only single-disc edition as well as a three-disc "extended edition" DVD which was released in August The extended edition DVD features approximately fifteen minutes of additional scenes, most of which appear in the previous release as deleted scenes.

The original cut, which Scott still calls his director's cut, is also select-able via seamless branching which is not included on the UK edition.

The film is on the first disc, the second one has a three-hour documentary into the making of the film by DVD producer Charles de Lauzirika , and the third disc contains supplements.

Discs one and two of the three-disc extended edition were also repackaged and sold as a two-disc "special edition" in the EU in In June , Douglas Wick said a Gladiator prequel was in development.

However, Russell Crowe was interested in resurrecting Maximus, and further researched Roman beliefs about the afterlife to accomplish this.

This includes a suggestion by Parkes that, in order to enable Russell Crowe to return to play Maximus, a sequel could involve a "multi-generational drama about Maximus and the Aureleans and this chapter of Rome", similar in concept to The Godfather Part II.

In , Scott stated he and Crowe approached Nick Cave to rewrite the film, but their ideas conflicted with DreamWorks's idea of a spin-off involving Lucius, whom Scott revealed would turn out to be Maximus's son with Lucilla.

Scott noted that a tale of corruption in Rome was too complex, whereas Gladiator worked due to its simple drive. This script for a sequel, however, was rejected as being too far-fetched, and not in keeping with the spirit and theme of the original film.

By November , it was announced that Paramount Pictures is developing a sequel, which Universal has the option to co-finance, with Scott returning as director and Peter Craig writing the script.

In June , Parkes and MacDonald confirmed that the sequel was still in development with Scott and Craig, saying, "We're working with Ridley Scott, that's one we wouldn't touch unless we felt in a way to do it was legitimate.

We're working with an amazing writer as well, Peter Craig. It picks up the story 30 years later From Wikipedia, the free encyclopedia.

Theatrical release poster. Hans Zimmer Lisa Gerrard. United States [3] United Kingdom [4]. Main article: Gladiator soundtrack. Main article: List of accolades received by Gladiator.

Film portal. Archived from the original on October 7, Geraud, Amalia G. Gladiator Gladiator ganzer film deutsch, Gladiator online stream - Ganzer film, Gladiator ganzer film online stream - Deutsch.

Post a comment. Tuesday, 27 June Gladiator kostenlos filme anschauen p-M4V. Stevens Gladiator Gladiator ganzer film deutsch, Gladiator online stream - Ganzer film, Gladiator ganzer film online stream - Deutsch Gladiator has been my most favorite film of all time.

It is an epic masterpiece in many ways and it really explains why despite the numerous viewings, Gladiator still amuses me with its powerful imageries and many other crucial aspects so that it won five Academy Awards.

This film is very well written, the well-ensemble casts, the A-class acting especially Russell Crowe and Joaquin Phoenix , the stunning cinematography and definitely a strong character of Maximus magnificently portrayed by Russell Crowe whose life, struggle, disappointment and anger really move the audience, as if the world attention centers on him.

Gladiator is not a historical film, because it only used the history of the ancient Roman Empire merely as the time setting. The visual of great battle in the first 15 minutes really stole my heart.

The gruesome pictures, the blood and violence just to beautiful to abandon. Everything in this movie seems perfectly balanced, Ridley Scott as the film director really did his homework well in redefining and revitalizing the big battle sequence once considered masterpiece from Spartacus and Ben Hur.

In the end, once again, I would say that Gladiator perfectly combines some crucial elements such as good, moving story, dazzling visual, beautiful scenery, filming techniques, direction and touching music score into one harmonious, action-packed film about heroism and its true meaning.

They said you were a giant. They said you can crush a man's skull with one hand. Ridley Scott's Gladiator is not a perfect film, I would think that the hardiest of fans, of which I'm firmly one, know this deep down.

Die gesammelten Vokabeln Dws Top Dividende Test unter "Vokabelliste" angezeigt. Portugiesisch Wörterbücher. Um Maximus endgültig zu überwinden, inszeniert er einen Schaukampf zwischen ihm und sich selbst im Kolosseum. Hallo Welt. Abgerufen am Nachdem er seine Familie begraben hat, verliert er schwer verletzt die Besinnung. Gladiator ist ein mit fünf Oscars prämierter Monumentalfilm Vikings Rollen dem Jahr Hauptseite Themenportale Zufälliger Artikel. Maximus nimmt den Helm ab, und Commodus muss erkennen, dass Gladiator Deutsch Schwabenquellen Parken Rivale um die Gunst seines Vaters ihm gegenübersteht. Commodus regierte danach über zwölf Jahre als Alleinherrscher der Film suggeriert hingegen eine Herrschaft von allenfalls einigen Monaten. We are using the following form field Paysafekarte detect spammers. Geschichte einer Legende.

These items provide a good balance between offense and defense and are enough to deal with the endgame, although there is definitely a room for improvement.

Please ensure you read the Gear, Jewels and Flasks page in its entirety. Gear Page. Leveling the build from scratch is easy.

The clear speed will pick up when you manage to do the Cruel Labyrinth. The build easily gets into maps. Use this this build before transitioning into Critical Strikes.

While leveling, we recommend that you first pick pick all the Life and Damage nodes around the Marauder and Scion starting areas, and then go for the shield nodes.

As you begin a new character, there are few unique items that can boost your power exponentially. Tabula Rasa allows you to have a 6-Linked skill as early as you get the gems.

Wanderlust gives a decent movement speed, which will make your leveling that much more efficient. Goldrim provides a lot of elemental resistances, this will let you worry less about gearing when approaching certain Act encounters.

If you are a new player or if this is your first character for the league , then note that obtaining these items will be very difficult, if not impossible.

They are extremely rare drops, which you can otherwise only acquire if you have vast amounts of currency, so do not focus on them too much, and instead simply look for items that match the affix priorities listed in the gearing section above.

Using Tabula Rasa will allow you to have 6-Link gem setups early on, which is why we show such examples below.

If you cannot get Tabula Rasa or another item with a 6-Link , then simply prioritize the first gems in each link provided below.

In order to acquire gems that are not available to your class as a quest reward, simply ask a friend to buy them off vendors for you, or buy them yourself from Sioasa in The Library in Act III Library.

At level 10, you are able to add Shield Charge , which will help with your mobility. At level 12, you should replace your Frost Blades link with the following one.

At level 16, you should add Herald of Purity. By level 18, your Sunder link should look something like this:. At level 24, you should add Hatred.

Finally, at level 28, you can transition into Blade Flurry , your signature skill. We recommend the following link. No, the physical explosions created from Gratuitous Violence will obliterate you on physical reflect maps.

The damage provided from Hatred will probably be enough to kill yourself on elemental reflect too. Except for the reflect maps, the build is very versatile and can do anything, as long as you are well geared and have damage and life.

The block mechanic is extremely strong and will save you in many lethal encounters. If the extremely tanky and safe melee build is your type of thing, this build should satisfy you.

The damage is also good enough for endgame encounters. Considering it can be started from scratch without any investments makes the build that much better and accessible.

Revisited and updated for Delirium 3. The build is still very strong and a good choice for those who like good balance between offense and defense.

Revisited and updated for Metamorph 3. The build gets a slight nerf via changes to monster Armour. Made the playstyle section more descriptive, and improved the gearing section by providing more detailed recommendations.

View all. I love duelist builds, but I had a question. On the passive tree you have Aspect of the Panther over in the ranger section , which is for dual wield.

Edited by Jason on July 21st, In narrative terms the plot and story arc is simplicity supreme, something Scott and Russell Crowe have never shied away from.

Some folk seem very irritated by this, which is strange because the makers of Gladiator were not standing up bold as brass to proclaim they were unique with their movie, what they did do was reinvigorate a stagnant genre of film for a new generational audience.

And it bloody worked, the influence and interest in all things Roman or historically swashbuckling of film that followed post Gladiator's success is there for all to see.

What we do in life echoes in eternity. So no originality in story, then. While some of the CGI is hardly "Grade A" stuff, and there's a little over - mugging acting in support ranks as some of the cast struggle to grasp the period setting required, yet the way Gladiator can make the emotionally committed feel, actually overrides film making irks.

Crowe's Maximus is the man men want to be and the man women want to be with. As he runs through the gamut of life's pains and emotionally fortified trials and tribulations, we are with him every step of the way, urging him towards his day of revenge splattered destiny - with Crowe superb in every pained frame, winning the Academy Award for Best Actor that he should have won for The Insider the previous year.

Backing Crowe up is Joaquin Phoenix giving Commodus preening villainy and Connie Nielsen graceful as Lucilla pitch Nielsen's turn here against that of Diane Kruger's in Troy to see the class difference for historical period playing.

Oliver Reed, leaving the mortal coil but leaving behind a spicy two fold performance as Proximo the Gladiator task master. Olly superb in both body and CGI soul.

Richard Harris tugging the heart strings, Derek Jacobi classy, David Hemmings also, while Djimon Hounso gives Juba - Maximus right hand man and confidante - a level of character gravitas that's inspiring.

I didn't know man could build such things. Dialogue is literate and poetic, resplendent with iconic speeches.

Action is never far away, but never at the expense of wrought human characterisations. Like Ben-Hur, this is a story of a successful man who loses everything thanks to an evil man, and then has to fight his way back up to seek revenge on that man and to obtain his freedom back.

It's a tried-and-true formula. This movie doesn't go to excess on the violence as some of the other more recent epic films did, such as "Braveheart" or "The Patriot.

Joaquin Phoenix also put himself "on the map" as an actor with his portrayal of the evil "Commodus. Kudos to the rest of the cast, too. Too bad they don't make more of these type of films, as they did in the s and s.

Maximus whose motto is 'Strength and Honor' is like a son to Aurelius, a statement that left Aurelius' own son, Commodus perturbed Disappointed by the news that his father privately decides to name Maximus his successor, and being a young ambitious son lusting for power, he murders his father, and orders a strike against the general Let us pretend that you are a loving daughter and I'm a good father.

Through its beautiful music, through Russell's performance and through Ridley's soulfulness, "Gladiator" brought a poetic vision in a new and very cinematically richly way that really gave the audience something different, so emotional and so intimate.

Is Crowe the 'next action hero? Germania, AD, the setting of Gladiator's opening scene. Far from the blazing sun and dazzlingly beauty of ancient Rome, Ridley Scott shoots the opening sequence in a subdued light.

The Roman legions are nonetheless impeccably turned out as they face the comparatively disorganised rabble that inhabits this miserable environment.

Caesar's soldiers seem somewhat misplaced here. However, Russell Crowe is at home in this environment of knee-deep mud and merciless snow.

All does not run smoothly however as mislead heir to the throne Commodus Phoenix takes over Rome with ill-gotten domination, having dispatched his own Father.

Maximus is cast out to find his family murdered and his Spanish farm burnt to the ground. Taken in as a slave by Proximo Reed , Maximus becomes a Gladiator and starts his journey to the Coliseum and revenge against Commodus.

Scott's cast is powerful and he is not left wanting as powerful performances are delivered by all. Due to his untimely mid-production death, Oliver Reed is created in some scenes by the grace of computer graphics, which are as convincing as they come; sometimes making it difficult to differentiate between Reed himself and his computerised counterpart.

It is, however, the supporting actors who create many of Gladiator's best dialogue-based scenes. As a vehicle for the plot, Scott's beautifully created and highly symbolic there is an image of fire in nearly every shot of the film dialogue scenes are of a certain merit with digitally created backgrounds that encompass the meticulous nature of the Roman Empire.

However, dialogue alone does not an epic movie make, and it is in the film's spectacular action sequences that Gladiator come into its own.

Shot on location in Malta, Scott's first arena was built by an army of locals and commanded some extras a large majority of whom were of a cardboard variety.

All of this pales in comparison as we arrive in a digitally created Rome which makes some scenes in Ben Hur some somewhat small scale.

The Coliseum is immense, both inside and out, and the computerised provides the electric atmosphere in which Crowe and his feline companions four sizeable, and real, Bengal tigers perform.

The battle sequences are perfectly choreographed and shot as iconic masks and typically Roman chariots are abundant in their power and imagery.

As swords clash and heads roll, Ridley Scott is triumphant in the application of special effects technology and his directorial prowess. Always one to embrace technology, Scott's views over Rome's landscape are reminiscent of the beautifully created cityscape of Blade Runner.

This is a film that fears so little and boasts so much, even a lady archer being sliced clean in half by a spiked chariot wheel! All those involved with Gladiator should be delighted and confident with their creation, for indeed this is a convincing and enthralling display with epic proportions to take the wind from James Cameron's titanic sails.

This movie is awesome! I think it's great to be in one of IMDb's top best movies, because it deserves it. Every time I watch 'Gladiator'I stay touched by the story and I never get bored of it.

It's one of the most excellent movies already made in the movie's history! Russel Crowe is terrific in the role of Maximus and so is Joaquim phoenix great as commodus.

For people who enjoys history,specially ancient history,is a chance to see how was Rome many centuries ago, and also know better about the gladiators, the Colosseum and how some things worked in that time.

I will not write about the plot here, because many people already did this; I will only say for people that never watched this movie, that it deserves to be watched and, if you have some money, buy the DVD!

If only Peter Jackson hadn't come along and done a rather good trilogy of films, we might possibly be talking about the greatest film of the 21st Century so far.

Its sweeping but simplistic heroic tale, crunching fight scenes, award-winning special effects, towering acting and soaring score set this film apart from all the pretenders that followed it.

Ridley Scott single-handedly re-invented the epic genre with this story of a Roman solider who is betrayed, loses everything and is sold into slavery, only to fight his way back as a gladiator, all the while driven by vengeance for his murdered family.

Russell Crowe gives quite simply the performance of a lifetime as the Gladiator Maximus, one that deservedly won him Best Actor at the Academy Awards although his performance in the following year's Beautiful Mind was arguably even better, even if it didn't win him his second consecutive Oscar , and provided a thinking woman's alternative to the likes of Pitt, Cruise and Clooney to swoon over.

His gravely voice and impressive physique combine to give him a huge presence, which literally fills the screen. His dialogue is sparing, but his actions speak far louder, adding a stoic sadness to his vengeance-driven heroic character.

Joaquin Phoenix is fantastic as the scheming and corrupt Emperor Commodus who betrays Maximus and has his family killed. He manages to be delightfully and totally evil without ever descending into the realms of pantomime villain, which is a tricky line to walk, and manages to avoid being overshadowed by Crowe's monumental performance.

The fight scenes are rousing and superbly choreographed, in particular a scene where Maximus marshals his fellow slaves into an army against marauding chariot archers in the Colosseum.

But here it is, in full; 'My name is Maximus Decimus Meridius. Commander of the Armies of the North, General of the Felix Legions, loyal servant to the true Emperor Marcus Aurelius; Father to a murdered son, husband to a murdered wife, and I will have my vengeance, in this life or the next.

The action is set to some truly beautiful music, and it is shameful Hans Zimmer missed out on the Oscar for Best Score. Ridley Scott was similarly unlucky in the Director category.

The film is however tinged with sadness, as it proved to be the final but triumphant swansong for the careers of Oliver Reed and Richard Harris, both of whom died shortly after making this film.

Neither could have delivered much finer performances, and if any performance had to be a final one, both delivered one worthy of such a status here.

Reed in particular is a revelation, reminding older generations and showing a new generation of his considerable talent. An inspiring film, rousing, exhilarating, exciting and moving.

Superbly acted, directed, scored and visualised. A tribute to how great films could be once, and could be again. The beginning of "Gladiator" is powerful.

We see the Roman Legion fighting against the Germanic tribes in what surely must be one of the most spectacular battle scenes ever filmed; one which truly does give the viewer a taste of what warfare in that era must have been like.

The ending is powerful, as the quest for vengeance finally comes to a head, with General Maximus facing the Emperor Commodus in a gladiatorial contest in the Roman arena.

In between - well - things could have been a little better. The acting in this movie, I thought, was first-rate.

The gladiatorial bouts were superbly choreographed. The set decoration was magnificent, and looked exactly as I would expect Imperial Rome to have looked.

So, why do I say this could have been better? Maximus was too obviously the good guy, Commodus too obviously the bad guy. With this being so clear, we know that the movie must be heading for the final confrontation between the two, and it makes watching the middle 90 minutes or so difficult.

It didn't have to be quite so clear cut. The potential was there to give the viewer a real ethical choice to make. I mean, one can understand Commodus being angry when Emperor Marcus Aurelius Richard Harris - his father - takes away the throne that Commodus had believed all his life would be his, and hands control of Rome over to Maximus.

Commodus could have been a sympathetic character. He didn't have to murder his father. His father was elderly; a natural death wouldn't have been out of the question.

And why the incestuous fascination with Lucilla? I didn't think it added anything to the movie - except to make Commodus even more repulsive.

In the end, the movie didn't make me think about anything; it didn't challenge me with any moral decision-making; it didn't make choosing sides in this battle even remotely difficult.

Don't get me wrong. This was a very good movie. One can always argue whether this movie or that should have been named best picture; one certainly has to agree that "Gladiator" was worthy of consideration.

I just felt it could have been better. There is so little to find wanting in this film and not wanting to merely repeat its many deserved praises, all I can do is question a couple of historical points.

It is unlikely that a Roman general would be sold into slavery and forced to fight in the arena. Exiled, yes. Killed maybe.

Asked to commit suicide to retain his property, most likely. It is unlikely that he would return to find his family crucified, of all things. Romans were very specific about who got crucified and why.

Romans usually avoided it, no matter how cruel the tyrant? Marking or mutilating the human body was expressedly anti- Roman. No statue or depiction exists of a main-period Roman showing a body-marking.

The bonding feature the writer was attempting was an inappropriate borrowing from the 20th century German SS. Great entertaining movie nonetheless.

TheNabOwnzz 21 April It plays somewhat like a modern Ben-Hur, as a very respectable character is forced into slavery due to him standing up for what is right.

Of course, being a much more modern epic, the editing is a lot quicker, as is the entire pace of the picture.

Gladiator is however not a flawless film, as several action sequences Particularly in the introduction in the battle of Germania feature quite a lot of shaky cam and quick editing, but admittedly this is nowhere near as bad as something like Taken or The Bourne Trilogy.

Most of the action sequences are superbly edited, with widescreen shots to create an overview, combined with mediums to immerse the viewer into the action.

A couple of times there is a shakycam shot in the middle of this, but it's a very minor issue. Another minor fault is in some of the backdrops.

The 'Am i not merciful' scene features an obvious greenscreen, saturated a bit too brightly, and Proximo is obviously not physically there near the end of the film When actor Oliver Reed had already died.

Again these minor issues feature only in 1 scene respectively, and therefore do not really do anything to truly diminish the cinematic power that Gladiator provides.

The scenes in Zuccabar are an example of the seductive natural beauty Gladiator provides, and Maximus's ride to his family after his execution attempt also feature some stunning environmental shots.

The titanic image of the Colosseum is also one that is difficult to get rid of, despite the fact that i believe it was filmed in full CGI, but apart from perhaps the absolute final shot Burying the sculptures , that is hardly noticable.

Crowe is the epitome of a brick of stoic masculinity, yet he gave an utterly convincing and extended sob fest when gazing upon the sight of his crucified family, showing us his versatility as an actor.

We see him win a battle against Germanians through his discipline, intelligence and courage, and we are rooting for his character from this moment forth.

He is in his heart a simple man that just wants to go home to his family, but he is also honor bound to Rome, and proves this through his courageous actions.

Not interested by the corruptions of power, he lives only to see justice done. Nielsen is also quite underrated, as her disguised fear during every scene with her brother after their father's death is a stunning feat of acting within acting, culminating with her utter terror at the end when Commodus demands a 'pure blood' heir with her.

Of course one cannot forget Hans Zimmer's fantastic contribution to his masterpiece, creating arguably his finest score to date, with this especially being the case during the transition between the Again 'Am i not merciful' scene and the shots of the arena.

Obviously 'Now we are free' is also one of the most emotionally powerful scores ever created. It is also one of Zimmer's most varied scores, as a slight criticism of him is often his repeated melodies Admittedly, a lot of the themes in Gladiator still sound similar to The Rock, but a lot of them also do not.

In any case, it is rare to imagine the brilliance and emotional resonance of Gladiator without Zimmer's score. Even though Maximus's sole purpose in life has become to kill Commodus in revenge for his family, it is in a way a very hopeful film.

A film about standing up for what is right, and being granted redemption and a reunion with loved ones in the end.

Maximus does not want to rule Rome, but in slaying Commodus, he secures the feature of it for is people, while also acquiring his personal goal.

He demands respect for his valor and his morals throughout the film, and this makes sure that we as an audience are emotionally drained by the time he enters the Elysium fields, and is hailed as a hero by the people of Rome, and a hero he was.

It also features possibly the most relatable main character ever written, which is partly why there are very little films that can equal the emotional power that Gladiator creates.

Firstly, Romans never referred to the Colloseum as the "Colloseum". It was called the Flavian Amphitheatre. Commodus was an actual emperor who ruled from A.

He did indeed fight in the Colloseum against gladiators, and was quite good at it because he never lost Maybe he cheated like in the movie.

His sister, Lucilla, did conspire with his wife Crispina to have him killed. They were caught and banished to an island and later killed.

His mistress Marcia tried to drug him to death but failed, so they had some athlete strangle him to death. He died on New Year's Eve A.

He was a nut case, and was quite murderous, but that's about the only things real about the movie. Other than the historical problems, the story was great.

I liked Maximus and really hated Commodus. It was your basic struggle between good and evil. There is much to appreciate about about this picture but at the same time there is much to castigate as well.

What could have been a thoroughly involving story turns out to be crippled by a lean script, some very indecisive direction and choppy editing.

Not to mention some bad casting in the form of Richard Harris as Marcus Aurelius, a role which cries out to have been the last role played by Anthony Quinn.

The film starts out well and looks bleakly authentic in its depiction of the pivotal battle in the wars between the barbarian tribes of Germania and the Roman Empire.

But as the story gives way to 40 minutes of exposition following Commodus and Lucilla's introduction, Ridley Scott seems to tack things on whenever the script runs into weak spots.

This leaves the film without a flowing narrative and it seems to want to please a mindless summer movie action market while at the same time aspiring to be something deeper.

What it leaves us with is a schizophrenic, unequivocal story full of contradictions. There seems to be an epidemic in the past three or four years - films like this, Titanic, The Patriot, Pearl Harbor, Enemy at the Gates etc, try hard to be great epic films but at their core they are very slight and even trivial.

The story in Gladiator holds promise but what little conflict there is set up and thrown at us in the first hour, leaving just a linear resolution to unfold for the remainder.

A shame because so many elements could have been introduced in this story to make it truly an awesome and thoughtful epic.

I guess complex stories like Spartacus and Ben-Hur will never be made again. This one falls somewhere short, though better than Demitrius and the Gladiators and the film it heavily borrows its narrative structure from - The fall of the Roman Empire.

Technically the CGI is at times seamless and other times poor.

Gladiator Deutsch

Gladiator Deutsch "gladiator" Deutsch Übersetzung

Der im Film angedeutete Inzest zwischen Commodus und seiner Schwester ist dagegen eine freie Erfindung der Autoren, wohl angelehnt an das dem Kaiser Caligula und seiner Schwester Drusilla nachgesagte inzestuöse Verhältnis. Beispiele, die Gladiatorenschule enthalten, ansehen 12 Beispiele mit Übereinstimmungen. Genau: Dies ist das Ziel von Maximus. Da dies nicht stimmt, kommentierte z. Er entstand unter der Regie von Ridley Scott und spielte weltweit ca. Ich will ein Kämpfer im Anzug sein. Wintermarathon kann er Beste Spielothek in Carzig finden wie ein Gladiator fühlen. März

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